EXPOSED VOCALS / NEWS DESK
Independent music, culture and the people moving it forward.
Square Nine Capital has refinanced Beatport’s existing credit facility and provided additional capital as the DJ platform keeps expanding its creator ecosystem.
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My Block Records settled its royalty-accounting dispute with SRG/ILS only 15 days after filing a lawsuit involving three albums…
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The Recording Academy will retain Best Asian Pop Music Performance for the 2027 Grammys even as BTS and Stray…
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Live Nation is backing Creator Nation, a new company built to acquire and scale creator-management businesses across content, commerce,…
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A federal appeals court ruled that ROSS Intelligence could not rely on fair use for copied Westlaw headnotes used…
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Sony Music says it has now targeted more than 260,000 AI-generated deepfake tracks for removal, turning artist identity protection…
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Liz Harris says Grouper’s “Poison Tree” reached millions of streams through an unauthorized upload. The case exposes a catalog-control…
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Miami duo B0YG1RL release a 13-track self-titled album through Surf Gang Records, bringing Caribbean rhythms, electronic experimentation and a…
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Dominican electronic artist Boundary returns with PROXIMA CENTAURI, an eight-track project connecting experimental electronics with a science-fiction frame.
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Liz Harris, Jed Bindeman and Scott Simmons revive Helen for Linda’s Head, the dream-pop trio’s first album since 2015’s…
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Vanishing Twin’s Archives turns remote recording fragments into a collaborative collage after geography separated the trio between France and…
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Kaitlyn Aurelia Smith rejects the ambient label on RUIN: It’s Not Just Music, a nine-track electronic record built around…
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Vermont songwriter Lily Seabird’s Lightspheres on Their Way moves through mortality, transition and renewal with a broader folk-rock palette.
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Emily A. Sprague’s Cyano uses modular synthesizers, voice and an imagined distant planet to explore expression, ecology and emotional…
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Detroit songwriter Stef Chura returns after seven years with Dancing Alone on the Concrete, recorded largely at Chase Park…
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Indianapolis five-piece Wishy return with Nature’s Pill, a more collaborative second album recorded partly live and released through Winspear.
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Greg Freeman expands his songwriting world on All Set the Bone, a 13-song third album produced by John Congleton…
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Charlotte’s Confluence expands for 2026 with a three-day festival, more than 45 artists and practical industry sessions for independent…
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Terry Borderline and Gasoline Monk release No AI Was Used through Monk’s Temple Records, turning an automated distribution dispute…
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Universal Music Group has sued DistroKid over alleged copyright infringement and deceptive trade practices, putting AI-generated music, platform accountability…
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Mystic Tea Party release “AIYO DAEA,” the final single before debut album Slipstream, pushing their self-produced sound toward breakbeats…
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Oliver Symons released “Wake Up” through Maison Arts on October 2, 2026. For the Antwerp-born artist, producer and songwriter,…
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Chilean producer Rhys Fog turns stuttering voices, broken timing and machine instability into a compositional system on the four-track…
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Byrne Elliott Music earns Best Classical Track for “Haunted Love” and Best Cinematic Track for “Olympic Destiny” in the…
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