Leonard Fischer, artistically known as Sabotaj, often looks to the past for inspiration. He turns to films, videos, cartoons, spoken and written word, but none more passionately than music. As an artist, he dissects and interprets these art forms to carefully produce his reflections and rhymes. He is a disciple of the school of hip hop. Sabotaj is determined to make his mark as the legend that never was.

Early Life

Sabotaj’s introduction to the world of hip hop can be traced back to 1979. That year, the Sugarhill Gang released its groundbreaking track “Rapper’s Delight,” which Sabotaj cites as “a song that was everything to kids growing up in the hood.” The hood he references is South Central Los Angeles where he and his younger brother were raised by his mom and grandmother from a very young age. Their parents divorced when he was just 3 years old, his father remarried about 5 years later and eventually moved to Dallas. Sabotaj recalls the subsequent years after his father’s move as the roughest years of his youth.

Despite the difficult upbringing, there was always one channel through which he could escape. “Rapper’s Delight” opened his eyes and ears to hip hop music and its culture. Through Los Angeles-based radio station KDAY and its influential radio DJ Greg Mack, hip hop and rap had fully infiltrated the airwaves by the 1980s. KDAY introduced Sabotaj to hip hop pioneers such as Eric B. & Rakim, KRS-One, Public Enemy, The Juice Crew and Biz Markie. By the mid-1980s, West Coast hip hop had arrived and with it came Ice-T, Eazy-E, N.WA., King Tee, Tone Loc and several others that Sabotaj grew to greatly admire. As hip hop entered the mainstream so did films about its inception, culture and significance. Sabotaj recalls watching 1984’s “Beat Street,” a film about New York City’s hip hop culture, nearly every day for months. A year later, “Krush Groove” was released, which introduced hip hop enthusiasts to Russell Simmons and Rick Rubin and their hugely successful venture: Def Jam Recordings. This film also spotlights Run-DMC and their rise to fame. These two films significantly influenced him; and according to him, “triggered something deep inside of me.”

One particular day in 1988, Sabotaj’s friends, who would often dee-jay at house parties, encouraged him to write a verse for an upcoming party. He stepped up to the plate and started writing. Sabotaj recited the verses to his friends who were left in shock at what he had produced. It was at this critical moment in his life where he recalls telling himself, “Wow, I can do this.” He has never stopped writing since. At around the same time he came across a track called “My Philosophy” by Boogie Down Productions. He cites the golden era of hip hop and “My Philosophy” as the foundation through which his artistry was born.

Initially, Sabotaj would perform under the monikers Lenwise and Lenwise The Chief. The latter being a tribute to his ethnic background, which is Black mixed with Cherokee Indian.  However, once in college his rapping style gradually metamorphosized – as did his artistic persona. His rhymes had become more intense, cut throat and ruthless to match the tone of hip hop at the time. While hanging out with a friend and after weeks of brainstorming, the word Sabotage flashed up on the TV screen in a commercial and so did a lightbulb in their brains.  As Sabotaj he took his craft to the next level both personally and professionally.

Sabotaj the Wizard of Rhymes

When it came time to produce his demo, he teamed up with an up-and-coming DJ and producer who, a few years later, would become associated with none other than the Jurassic 5. DJ Nu-Mark helped kick-start Sabotaj’s music career by recording and producing a 3-song demo in 1992. “He was one of the first DJs/producers to ever do me right,” Sabotaj recalls. Prior to this collaboration, he was growing frustrated with producers not mixing his songs right and being placed in a position where he couldn’t properly represent his work. This partnership made him realize early on that in order to gain full artistic control of this music he needed to: 1. gather up a production team, and 2: learn how to mix, produce and record his songs.

Sabotaj’s music started to truly take flight around 1995 when he assembled his crew Faces of Death (FOD). FOD initially consisted of 3 other members who went by Haph Breed, Slug and Def Wish. If there was one defining track that he could pick during the early sessions and creative peak of FOD it would be “Wicked Dimensions.” This song was cutting-edge, unconventional and unlike any other track he had previously produced. Believe it or not, “Wicked Dimensions” takes inspiration from an unlikely source: the popular ‘80s cartoon “He-Man.” Sabotaj breaks down each character from the show and manipulates their voices so that by time the song ends, the show’s antagonist, Skeletor, has been defeated. He attributes this song to creating his signature, wicked, dimensional flow. “This gave me way more depth to my style and flow and allowed me to approach topics in music from an original angle,” he proudly states. But because this style was so different and niche, he and his team found it difficult to land a record deal.

Never one to slow down or get discouraged, Sabotaj would go on to record hundreds of songs with FOD. “He is a sorcerer on the microphone,” says Haph Breed, Sabotaj’s long-time collaborator, producer and friend. “His rhymes are the potions. He has a no nonsense, straight to the point rhyme flow.” In 1998, Sabotaj formulated his first studio album “The Essence of … The 1st Dimension” through his production company 3D Productions based out of Culver City and under a record label called Nexus Records. 3D Productions, which now consisted of Haph Breed, Def Wish and him, released 12” records and initially sold them overseas. At the time, the overseas market was very hip hop friendly and enthusiasts, mainly in Japan, would embrace new artists much faster than consumers based in the U.S. “We sold nearly 10,000 records in Japan,” recalls Sabotaj. “The overseas response was crazy love.”

This album successfully put Sabotaj on the radar. So much so that radio stations started playing his music and he was booking opening shows for big name artists like Nas, DMX, KRS-One, Mack 10, Blackmoon and The Pharcyde. He heavily pushed this album in the U.S. for over 4 years and even added a B-side called “Sounds of the Underground.” Despite the album generating massive buzz in the LA underground circuit, Nexus Records and Sabotaj would find themselves continually at odds and faced many differences over how the album was going to be released. The ball was ultimately dropped on the release. His heavily-hyped and long-awaited album was now shelved indefinitely.

The Legend That Never Was

With the weight and pressure of working with a label on hold, Sabotaj kept churning out albums and mixtapes through the years. “When the Fullmoon Strikes” and “The Time Machine” were two mixtapes with over 40 tracks released between 2014 and 2015. As a seasoned artist he exudes great discipline with his craft, however, he does admit that life milestones have lead him to scale back on music production. Like most underground artists, he splits his time between full time work and supporting his family. “I can’t record as much, but I still find the time to work on my craft,” he reflects. “Music is like a drug. It forever calls me and won’t go away.”

Sabotaj’s writing and mixing has significantly evolved and sharpened through the years. Much of it can be attributed to personal experiences and to the fact that he’s been fortunate enough to follow hip hop music since day one. “As far as my songs, I’m still lyrically raw, but with a much more elevated state of mind,” he states. “I think like an artist, but I also think like a parent of 2 girls as well.” One thing remains the same, he makes it his goal to never distance himself too much from the signature style that shaped him as an artist. He still samples a variety of music genres including jazz, R&B, soul, cartoon sounds, funk, 80’s music, Motown sound, opera and even cult classic films like “Scarface,” “Star Trek,” “The Mack,” and “Friday the 13th.”

Which bring us to his long-awaited and much-deserved debut release, “The Legend That Never Was.” It must be noted that this album is 30 years in the making and his strongest work to date. Haph Breed produced the entire album and ensured that his style and lyrical prowess are on full display throughout each track. “He’s back stronger than ever,” says Haph Breed. “[He’s] ready to get the credit he deserves from his peers and the new generation of hip hop as an artist and an MC.” Some album highlights include “The 5 Elements,” an homage to the history and importance of hip hop. While “Powers To Be Legendary” is a track directed to other MCs while paying tribute to the hip hop greats.

Haph Breed perfectly describes him in one phrase: a preserver of the hip hop culture. This album not only defines Sabotaj, but it also serves as his now or never moment. “I have to fulfill my destiny and defy the odds,” he exudes. “Most artists today have lost or simply don’t care about the culture of hip hop. I will always do my best to change that.” The Legend That Never Was” has arrived and he’s determined to restore hip hop back to its true form.

Purchase link with video: http://smarturl.it/powerstobelegendary1

EXCLUSIVE INTERVIEW

Exposed Vocals: So tell us your story. Where did you grow up? What made you decide to become an artist?

I grew up in Los Angeles, CA , in the rough gang and drug infested streets of South Central L.A. to be exact. I always loved music period.. As I was growing up in the late 70’s and early 80’s Hip Hop was really starting to take off The movies Beat Street and Krush Groove really fascinated me and taught me the true elements of Hip Hop. I was a big fan early on of Run DMC, Kurtis Blow, The Fat Boys, LL Cool J and a few others. All East Coast acts because the West would begin to rise later. In the late 80’s a few of my homies would DJ house parties (backyard boogies as Mack 10 would call them) anyhow somewhere within the party the homies would start to rock the mic to make things even more hyped. One day the homie AM told me to write a rhyme and spit it at the next party I thought to myself “I can’t rap” needless to say I wrote that rhyme and spit it to the homies AM and RT and never stop rapping since!

Exposed Vocals: Since everyone was a start-up once, can you give any smaller or local bands or artists looking to get gigs and airplay some tips?

First in foremost it’s not easy, understand that. You have to be dedicated to your craft, perfect it to a point where others totally let you know your music h has grown to a point that it’s impactful. Be confident and believe in your music because it is truly something that can make a difference in the world of music. At this point network and meet people that are willing to help you get shows and airplay. There’s a lot of disappointment you’ll face this direction so be ready for that. Never give up keep pushing until doors open.

Exposed Vocals: Do you ever make mistakes during performances? How do you handle that?

Yes, things can happen here and there but the crowd my never realize it. In most cases you never stop you keep it moving that’s how you handle that. Most of the time the audience won’t even know what happened unless the music completely cuts off. Always stay calm and keep the crowd engaged. This usually works.

Exposed Vocals: Do you tour? Anything interesting happen on tour that you think our readers would enjoy hearing about?

Unfortunately I haven’t had the pleasure of a real tour so I don’t have any interesting stories at this point but perhaps very soon.

Exposed Vocals: Any planned studio upgrades? What are you working with now?

We work off of the SP1200 and MPC60 II beat machines. These are old school beat machine and pump out those classic Hip Hop tracks that bang with that OG sound. That is of course if you understand how to use them. We work of f different software like pro tools, M-Audio, Cubase & a simple keyboard nothing to expensive or fancy, we just get the job done! Mackie mixing boards, etc. A planned upgrade in due time would be to get ableton music software.

Exposed Vocals: How do you find ways to promote your music? What works best for you?

Takes time lots of time, social media is the best way at this point in life. Instagram, twittier and soundcloud mostly. I believe instagram to be most effective. Getting in front of an audience doing shows is always great as well. Got to hit that stage!

Exposed Vocals: If you could perform anywhere and with any artists (Dead or Alive) where and who would it be with? Why?

Ice Cube, Eminem, Wu-Tang, Redman, The Lox (Jadakiss, Styles P & Sheek Louch) & Snoop Dogg. There are so many more I can mention just know that. Locations, any cities major stadium period! That would be a dream come true! Also I’m good with a smaller more intimate setting to, that can be a great situation by all means. Why do I say these artist? Because my music fits right in as an original artist and we are all cut from the same cloth of Hip Hop. Not to mention I’m a fan of these artist as well. How can you go wrong! Right?

Exposed Vocals: So, what’s next? Any new upcoming projects that you want to talk about?

Yes “The Legend That Never Was” Album. “Powers To Be Legendary” is the 1st single and video out now. The album will drop Oct 31st this year. “Powers To Be Legendary” A fatal blow of a HIP HOP CLASSIC! This song pays homage & salutes Legends B4 me and in a lyrical display of high powered Excellence shows why Sabotaj has the “Powers To Be Legendary” A must have for your listening pleasure!!

Exposed Vocals: If you weren’t making music, what would you be doing?

All I know is music all I want is music, work wise all I love is music! No music I might go crazy!

Exposed Vocals: What should fans look forward to in the next year or so?

More great Sabotaj music! More power moves from PBP Recordings. The focus now and for the next 6 to 8 months is “The Powers To Be Legendary” album. Pushing 1st single and video out now “Powers To Be Legendary” Available on all music platforms. Look out for the album to drop October 31st and 2nd single and video “The 5 Elements” coming very soon stay tune watch the full moon classics from yours truly coming soon!

Exposed Vocals: Any Shout-outs?

Shout out to you great folks @ Exposed vocals, my music partner Haph Breed and everyone checking for Sabotaj and truly support our musical journey. One Love!!! Follow me on IG & Twittier @sabotaj3d

Sabotage’s catalogue of work including his debut album are found at:

http://smarturl.it/powerstobelegendary1

https://www.instagram.com/sabotaj3d/

https://www.reverbnation.com/artist/sabotaj8

https://www.facebook.com/pbprecordings/

https://www.discogs.com/artist/1426947-Sabotaj