Tini Wilson is a singer and songwriter from Columbus, GA. who is acclaimed for her unique vocal ability, that takes one Forward to an ‘New Old School Era’ with an RnB flavor that listeners would appreciate. Not only does she sing effectively, however accentuating, which bring out the differential of using multi-languages during the track. This is extremely useful in todays musical era.
The song Da Love starts with a synth-intro for a count of four, then the percussions in the form of cymbals for a count of four. This precedes the vocal introduction. Which is a chant spoken in Jamaican Patois. Pronounced ‘Pat-Twah’, this is the Jamaican Dialect, used by other Nations of the Caribbean and surrounding islands and countries. “Come like ya took di ole-a-my life, Boo”… (Its like it took the whole of my life for you to come to me). Furthermore, two minutes and twenty-two seconds into the track another short verse in Spanish. ” Su nombre …” the second chant in Spanish, which emphasizes the versatility that Tini Wilson possesses. ” … mi corrazon su capturado…” Da Love is a responsive love song. It speaks of the feeling that she gets and would get when her ‘Boo’ pleases her. She strives to please him in return and more. ”He is all she needs…”. ” Even the mention of his name causes her to fall more”… into ‘Da Love’.
A love song in all senses of the term. ‘They have captured each others heart’ is the general undertone of the track. She has created the track Da Love in the form of an instrumental foreground and expressed it with lyrics. A clever manifestation of what one would feel when expressing it. Putting feeling into the track in a Blissful manner, feeling Blessed is the result. Instrumentals are profound throughout the entire track which also emphasizes the expression of a “loss for words”, something that one would feel when in love. The lingering effects of lasting love. This is also an effective way to effectively transfer and entertain listeners. Giving a sense of soul with a little bit of groove. Overall, The instrumentals are smooth, the transitions between languages are precise, adding a gleeful comment of continuing her studies of the Spanish language during the track is pleasing. Moreover, the track can be sung in an extremely seductive manner such as a musical production for the stage.
By Linda Dawkins
