Photo supplied by Round The Clock PR.
A riff becomes a shared performance
Eddie Mole’s Catchy arrives with a clear account of what the studio session was trying to preserve. The Bristol-based songwriter had a riff and a set of lyrics, but the campaign’s focus is the energy of playing together. The song, released on 24 September 2026 according to Round The Clock PR’s submission, belongs to the Letterbox Vision project and features a contribution from Cirwen Farrant.
Farrant sometimes sings the song live, and Mole invited her into the recording. That gives the collaboration a practical origin: a relationship already tested onstage becomes part of the studio version. The supplied account describes the intention as capturing a raw band performance, with the musicians’ interaction taking priority over polishing away every edge.
The subject is youth, freedom and the impulse to live without restraint. Those are the campaign’s stated themes, rather than an interpretation claimed from listening. The title may promise a memorable hook, but the more distinctive story in the materials is the attempt to carry a particular performance feeling from one setting into another.
A songwriter with a varied history
Mole is a singer-songwriter and multi-instrumentalist who performs both solo acoustically and with a changing group of musical friends. His biography describes songs about the world as he sees it, combining emotion with humour. It also points to an alternative, noir-inflected identity, with Nick Cave, Lou Reed and Tom Waits among the reference points used to describe his work.
That wider identity makes Catchy an entry point rather than a complete summary. Letterbox Vision includes collaborations with artists in the UK and abroad, and the supplied account places the album at the centre of his current live repertoire. The project’s social structure is therefore part of its story: songs move between individual writing, shared recording and public performance.
His background also extends beyond music. The biography describes work in horticulture and plant conservation, earlier periods in Northumberland and Edinburgh, and a later move to the South West of England. These details help distinguish the person behind the campaign without turning an unusual life history into an explanation for every lyric.
A route into the album
The supplied public video is a useful next step for anyone who wants to move from the recording story to the work itself. Mole’s Bandcamp and official channels offer further routes through the catalogue, including the album that provides the context for this single.
What stands out in the campaign is the specific creative aim. A riff and lyrics became a recording shaped by players who already knew something of its live life. Catchy sits within that exchange between songwriter and collaborators, offering a view of Letterbox Vision as a collection built through both individual observation and the company of other musicians.
Artist and recording background is drawn from the campaign materials supplied by Round The Clock PR.
