Found in the Inbox: Jenny Gillespie Mason — Rungs of Love

Jenny Gillespie Mason’s Rungs of Love approaches a large idea through an ordinary human connection. In the campaign supplied by Round The Clock PR, Mason describes love as a possible route toward a broader consciousness. The song belongs to In the Safety of the Light, the Native Cat Recordings album introduced with a June 2026 date. This October revisit treats the submission as an archive discovery.

The writing began on a 1976 Martin guitar after a period away from songwriting, according to Mason’s account. Bert Jansch and Vashti Bunyan are named as reference points for a spiritual folk lineage. The guitar is therefore more than an item in a credit list: it is part of the route back into writing described by the artist herself.

That return follows more than a decade of work through Sis, most recently Sis and the Lower Wisdom. The supplied biography traces interests in psychedelic pop, jazz and electronic textures before turning back toward the folk music Mason first wrote and recorded as a teenager. The change involves returning to an earlier practice with a longer history behind it.

Noah Georgeson produced In the Safety of the Light. The campaign describes much of the album as recorded live by an ensemble, with Mason on acoustic guitar, Wurlitzer and vocals. Named collaborators include Josh Miner Adams on percussion, Todd Dahlhoff on bass, Benny Bock on synthesizers, Gabe Noel on cello and Alex Budman on woodwinds. These are album personnel; the submission does not provide a separate track-by-track credit sheet.

The wider musical references include seventies British folk alongside ambient and more expansive songwriting interests. Those supplied descriptions introduce the album’s intended setting without replacing a listening experience. Rungs of Love narrows that broad frame to a particular proposition: a familiar relationship can also become a way of thinking beyond the individual self.

The public video supplied with the campaign gives the song a direct visual entry point, while Mason’s website and Native Cat Recordings offer further context. Her earlier project’s radio and playlist history belongs to the background of that introduction rather than a prediction of how this release will travel.

What makes this archive submission worth reopening is the specificity of the return. An older guitar, a pause in writing and a renewed engagement with folk become the starting materials for a song about connection. The artist’s account leaves room for that idea to remain intimate even while its questions extend outward.

Watch the supplied video

Background drawn from the artist’s supplied campaign materials.

Campaign information and promotional image supplied by Round The Clock PR.

Jenny Gillespie Mason artist profile · Round The Clock PR