Georgia Black is an alternative R&B powerhouse rising from North London, drawing on a vocal lineage that includes icons like Shirley Bassey, Etta James, and Peggy Lee. With her rich, cinematic voice and commanding presence, she first turned heads as the frontwoman for Agent Provocateur’s house band, Dirty Stop Out. Sharing stages with punk and rock royalty like The Clash’s Mick Jones and Primal Scream’s Bobby Gillespie, Georgia’s performances lit up venues from Camden’s KOKO to Berlin Fashion Week — establishing her as a bold new voice rooted in legacy, but reaching toward the future.
Since then, Georgia has defined a sound that’s entirely her own — a fusion of jazz, blues, and soul wrapped in sleek, modern R&B production. Her music, often compared to a Bond film soundtrack, is drenched in smoky emotion and drama. Whether performing with soul icon Omar, collaborating with Jalen Ngonda, or captivating immersive theatre audiences in Punchdrunk’s The Drowned Man, Georgia has consistently blurred the lines between music, theatre, and film. That very show drew praise from none other than Aaron Paul, and was attended by Adele and even Madonna (albeit on Georgia’s day off!).
Her reach into cinema became even more literal with five of her songs featured in the psychological thriller State of Consciousness starring Emile Hirsch — including standouts “Ruler” and “Kicks” from her new album Rope. One additional track, “The Golden Doors,” was even handpicked as the film’s featured single. The placements speak volumes to her music’s innate drama and emotional resonance, threading her voice through the lens of film and story.
Rope, produced by longtime collaborator Nutty P, is Georgia Black’s most vulnerable and arresting project to date. At its core, the album reflects on personal loss, toxic love, and the reclaiming of power through surrender. Songs like the title track navigate emotional entanglement, “Ruler” asserts self-worth and creative dominance, while “Kicks” celebrates surrender to passion and connection. There’s pain, but there’s also triumph — and a sonic world that makes every emotion feel larger than life.
As Georgia shares in the following interview, making Rope was not just a musical endeavor, but a process of self-discovery. From personal grief to artistic rebirth, she transforms vulnerability into strength — threading honesty, soul, and cinematic grandeur through every track. Below, Georgia Black opens up to Exposed Vocals about the inspiration behind Rope, the stories behind key songs, and the journey that shaped her fearless, soulful voice.
Exposed Vocals: Rope explores themes of power, surrender, and transformation. What personal experiences inspired these concepts, and how did they shape the album’s emotional core?
Georgia Black: It’s hard to put into words, but it’s really about letting go of the past – giving in to the pain caused by the people who were supposed to love you the most, and turning that pain into strength. It’s about craving connection through love and music, embracing womanhood, walking away from a toxic relationship, and saying goodbye to someone incredibly close to me who I sadly lost to Covid in 2020.
Exposed Vocals: The title track captures the tension of a toxic connection — can you share the story behind “Rope” and what it represents for you?
Georgia Black: It’s about someone I was deeply in love with, even though I knew early on that the relationship wasn’t good for me. For some reason I stayed until I barely recognised myself anymore.
Exposed Vocals: You’ve blended jazz, blues, and soul roots with modern R&B production. How did you and producer Nutty P find the right sonic balance for this project?
Georgia Black: Me and Nutty go way back. We’ve played around with so many styles over the years that, in the end, we just found this natural chemistry whenever we were in the studio together. We took a five-year break from making music at one point, and when we reunited it was like no time had passed. The first track we wrote after that gap was “Surrender” – and everything just flowed after that.
Exposed Vocals: Many describe your music as cinematic — what draws you to that style, and how do you approach creating a sense of drama and atmosphere in your songs?
Georgia Black: I absolutely love Shirley Bassey – she’s one of the greatest performers to ever walk the earth. There’s so much theatre and drama in her voice, and she makes it look effortless. I’m also obsessed with Bond themes and film scores in general. When it comes to creating that sense of drama in my own music, I just sing from the heart and dig into the deepest parts of myself when I write.
Exposed Vocals: Your voice has been compared to legends like Shirley Bassey and Etta James. Who are your biggest vocal influences, and how have they shaped your artistry today?
Georgia Black: My biggest vocal influences are Shirley Bassey, Etta James, Nina Simone, Peggy Lee, Lauryn Hill, Ray Charles, and Amy Winehouse. The soul, the pain, and the rawness in their voices made me feel connected to them. I used to sing along to their songs as a kid. I don’t consciously think of them when I’m performing now, but I’m sure they’ve shaped me in their own ways.
Exposed Vocals: Several of your songs were featured in State of Consciousness starring Emile Hirsch. How did that collaboration come about, and what did it mean to see your music on the big screen?
Georgia Black: The director, Marcus Stokes, actually contacted me directly on Instagram – I still don’t know how he found me, but I’m so grateful he did. It was my first time having music in a film. I think Emile Hirsch is an incredible actor, so that whole experience was a huge deal for me!
Exposed Vocals: “Ruler” and “Kicks” are both powerful tracks with distinct energies. How do they reflect different sides of your personality and creative journey?
Georgia Black: “Ruler” is about being pulled toward what you love and owning your power in that space, even when it takes everything out of you. For me, that’s music. “Kicks” is more about surrendering to the rush – music, passion, chemistry, the moment. It’s playful and unpredictable, and it celebrates that switch that flips inside you when sound, desire, and connection all collide.
Exposed Vocals: You’ve performed alongside icons like Mick Jones and Bobby Gillespie, and even caught the attention of Aaron Paul and Madonna. What’s been the most surreal moment of your career so far?
Georgia Black: Probably Aaron Paul and Adele seeing me perform in Punchdrunk’s The Drowned Man. (Madonna didn’t actually see me – she came on my day off, sadly!)
Exposed Vocals: Vulnerability plays a big role in Rope. How has your understanding of strength and openness evolved throughout the making of this album?
Georgia Black: Making this album taught me that vulnerability is strength. I used to think being strong meant staying guarded and holding everything in, but writing Rope forced me to face things I’d pushed down for years. Opening up – about love, loss, mistakes, all of it – didn’t break me the way I thought it would. It actually made me feel lighter and more in control. I realised that being honest with myself is where the real power is, and that’s the energy that runs through the whole album.
Exposed Vocals: With your album launch show coming up at Jam in a Jar, what can fans expect from your live performance — and what’s next for Georgia Black after Rope?
Georgia Black: A lot of soul, a lot of energy, and one hell of a party!
